Corners Art Gallery

& Custom Framing ~ Only perfection will do!
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Custom picture framing can be a tedious
and laborious process but rewarding at the same time. Creatively speaking we can communicate  to  the  viewer the impressions  and  feelings we have when we see an object for the first time.
Recently a customer brought in a rubbing from Cambodia. After chooseing mats and a frame we began the next step which was how to deal with the art it's self. The customer had to roll it up to put it in his suitcase thus it was wrinkled and a little crushed. We first needed to straighten it as much as we could by hanging it for a week to let it relax.( That was our first thought, it really took two weeks for the thick material type paper to relax and fall at least halfway down. ) We then layed it flat with weights around it. Finally we had it flat enough to get an accurate measurement.
 

 

 

The next step in the design process was to create a mat that would allow the depth we needed for the piece. We also wanted to give it a "temple" feel. Creating a design that looks like a temple archway you maight see in Cambodia was exactly what the art needed. We added 2 layers of 3/16" acid-free foamboard between the bottom and middle layer, then we added 1 layer of acid-free foamboard between the middle and top layer. It has a nice three demisional look which really gives the opening a "doorway" feel. The middle mat did not have the right tone to match the frame so we painted it with black, gold and copper to match.

 

 

 

Mat used for top, bottom and mounting surface of art is Crescent's 4 Ply Black Museum Board 100% cotton rag; solid color.

Mat used for the middle color is Alpamat Artcare Baroque Black, acid and lignin free.

The frame is Monarch Moulding PR4123

 

 

 

 

 

 

The Completed Frame

 

Cambodian Temple Rubbing --->

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Corner sample of moulding,

length of moulding with the

1st layer of paint placed on the stick of raw wood we used "stack" the moulding to make it a shadowbox.

 

 

 

 

 

 

 

 

Trying to match the under-painting before we move onto the next step in the  painting process. Here you

see the side of the frame we are trying to match.

 

 

 

 

 

 

 

 

 

 

 

This is after we painted the

next step in the matching process. It is getting closer.

 

 

 

 

 

 

 

 

 

 

 

The original moulding in on the right and the matching stick we painted is on the left. We will then cut the frame size out of these sticks and nail the top and bottom layer together.

 

 

 

 

 

 

 

 

 

 

 

 

We took this picture of the frame on it's side so that the depth is visible.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The glass is held in by a  .75" x .1875" shadowbox lining made by mounting black acid-free matboard on acid-free foamboard. This adds separation for the depth of the art.The piece is finished off by Tru-Vue's

museum glass.